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Atolye on community-driven architecture in Turkey

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"There are many untapped markets as well as industries that needs radical interventions" says architect Nesile Yalcin.

Bomontiada in Istanbul

An old beer factory in Istanbul, Turkey, has been redesigned by a team including architect Nesile Yalcin.

The seven-storey building is today called the Bomontiada and it hosts late-night concerts, provides restaurant space and has many other tenants, including creative hub and design studio, ATÖLYE.

Yalcin, the architectural design lead at ATÖLYE says they started the studio in 2013 as an academic spin-off project from work they were doing with the Stanford d. school and New York University.

“Starting with more than a dozen pop-up workshops, we galvanised a creative community that was in need of a joint purpose and shared resources. ATÖLYE structured a delicate balance between a private, academic, and public partners' model to make the system work, while remaining independent in decision-making processes.”

She says that the philosophy behind the organisation is about staying curious, independent and agile in order to solve current and future problems.

This philosophy will be put to the test, being based in Istanbul, in an emerging country such as Turkey where the economy is not stable.

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“The good and the bad of being in this kind of economic situation, (and South Africans will identify with this as we’re at the mercy of the Rand/Dollar exchange), is that Turkey is a country full of surprises. Although the economic instabilities that Turkey faces have its disadvantages, it also creates opportunities that economically stable countries cannot offer. Since Turkey is an emerging economy, there are countless opportunities, and when you find the right way to seize them, your work can have a significant impact.”

ATÖLYE has, for example, been able to work on transdisciplinary projects that include the Open Roof Space at the Private Sezin School in Turkey where an empty unused roof space was turned into a place for meeting, making, learning and working.

Yalcin got her masters' degree in architecture at Istanbul Technical University before moving on to study Urban Design in Brussels.

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She’s also led a project called Container Park where architecture contributed not only to shaping spaces in a resourceful way, but strategically fostering a new culture of ecological sensitivity and community-driven research.

Container Park sits within a technopark at a large public university campus which the team also designed.

“There are many untapped markets as well as industries that need radical interventions. This means that there is an abundance of opportunities and this feeling motivates us. Also as far as economy goes, since we offer design projects in four different design disciplines, negative impact on all of the markets is quite low.”

container park

Yalcin says that their work allows them room to experiment and help bridge the gap between different fields of science.

“On a small scale, I also designed a new media lighting installation, Amplify, with three other creative friends for Contemporary Istanbul. And, over the years here at ATÖLYE we started our own furniture line, CNVS, focused on learning and work spaces’ furniture needs to create the right kind of atmosphere for human interaction.”

Her curiosity with alternative ways of using architecture started during architecture studies but even back then she knew that edgy, cool building design, solely, was not her thing.

“I was always looking for user scenarios, design context, history of the site and hints of decision-making processes in design magazines. Later, I understood that I was looking for a novel story to memorise. I believe that architecture alone is mostly not enough to create this novelty. And, this impulse shaped my graduate studies and later choice of direction.”

While Yalcin leads the ATÖLYE architectural team, Atilim Sahin is in charge of the Community and Prototyping Lab where he works with about 130 people from the community.

With a background in design, Sahin helps to organise workshops and Designer-in-Residence programmes that are at the intersection between technology and design.

“Being actively involved in different clusters, and producing together with people from different backgrounds and perspectives, has allowed me to develop skills and establish a common language to communicate with those different entities. I think the name of that language was empathy.”

He says that into the future they will be focussing more and more on international collaborations, while on the architecture side the team will be launching a new graduate programme for students at the Istanbul Bilgi University.


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